Kunstkreuz 2010 Cross Art Project 2010, Bethanienhaus, Berlin - July 9 to 28, 2010 - Die Kunst der Krise (Art in the time of crisis)

Kunstkreutz 2010
Cross Art Projekt 2010
Bethanienhaus Berlin, Mariannenplatz 2, 10997

9-28  July 2010
 
The exhibition Die Kunst der Krise (Art in the time of crisis)  is showcased at Bethanienhaus in Berlin from July 9th to July 28th, 2010.
This exhibition, organized under the auspices of Kunstkreuz 2010 Cross Art Project 2010, assembles, in a magnificent architectural setting, several contemporary art creations.

The title of the exhibition invites a discussion on the direction, mission and the opportunities afforded by art in a climate of economic uncertainty.
Two of my works - a sculpture of a horse and a collage are part of this exhibition.

 Here are some images from this exhibition.

 

Sculpture by Tatiana Burghenn-Arsénie

 

Sculpture and collage by Tatiana Burghenn-Arsénie

 

Sculpture and collage by Tatiana Burghenn-Arsénie

How to Prepare for an Art Exhibition

The opening of the exhibition at Brose Haus took place on July 3rd, on a day scorching heat in Berlin (36 ° Celsius) and at a time when Germany was playing Uruguay in the quarter-finals of the 2010 World Cup.

As I am waiting for the whirlwind of the opening night to settle down, I thought it useful to reflect on the preparation for this exhibition and what it has taught me.

 
The exhibition at Brose Haus has re-affirmed a few things I’ve known from some of my previous exhibitions:
 
1. Sleep is overrated.
The five weeks leading up to the opening night seemed to vaporize into thin air – so many things to arrange, so many friends to call, so many e-mails to write…
2. An exhibition also happens due to the good will of friends and family who pitch in to help out…my heartfelt thanks to my friends who supported me through this event!
3. Taking time out from the hustle bustle of the maddening logistics  for a quick still life drawing helps calm nerves…

United Buddy Bears in Astana, Kazakhstan - May to July 2010

Some very exciting news of the bear I have painted  for the United Buddy Bears Exhibition.

The news are posted on the following web site: http://www.buddy-fans.de/bilder/ubb-kasachstan-eroeffnung.html  and here is a summary.

Opening of the circle of United Buddy Bears in Astana on 15 May 2010.

From 15 May to late July 2010 125 United Buddy Bears will be on display in Astana.

As part of the year, "Germany in Kazakhstan in 2010" the bears could make the trip and be a guest in Astana, the capital of Kazakhstan.

The United Buddy Bears are located in the most popular city square, in front of the Bayterek, the symbol of Astana, and can be seen free of charge.

The exhibition is organized jointly by the Embassy of the Federal Republic of Germany and the Akimat of  Astana City.

The Buddy Bear representing Romania, painted by me, now greeting the visitors of the United Buddy Bears in Astana.

Art Exhibition at Brose Park,Berlin - July 4th,2010 to November 30th, 2010 - Icons, Graphic and Paintings

 

Werkschau mit Ikonen - Graphik - Malerei von Tatiana Burghenn-Arsénie

Eröffnung: 3. Juli 2010, 16.00 Uhr im Brose-Haus (Küster-Palm-Haus)
(Einlass: 15.30 Uhr, Eröffnung der Ausstellung: 16.00 Uhr) 

Anschrift: Dietzgenstr. 42, 13156 Berlin. 
Fahrverbindungen: Tram M1 (Schillerstraße), Bus 107: Haltestelle Kuckhoffstraße

Ausstellungsdauer: 4. Juli – 30. November 2010. 
Das Brose-Haus ist immer mittwochs und sonntags in der Zeit von 14.00 Uhr bis 17.00 Uhr geöffnet oder nach Vereinbarung.

Erstmalig findet im Berliner Bezirk Pankow eine Werkschau mit Ikonen, grafischen Arbeiten und Malerei der aus Rumänien stammenden Künstlerin Tatiana Burghenn-Arsénie statt. 
Sie entstammt einer Künstlerfamilie aus Bukarest. Ihr zeichnerisches Talent wurde früh vom Vater gefördert. 

Trotzdem studierte Tatiana Burghenn-Arsénie zunächst Zahn- und Kieferheilkunde und promovierte in diesen Fächern, bevor sie sich nach ihrer Übersiedelung nach Deutschland ganz der Kunst widmete. 

Tief verbunden mit den Traditionen ihrer Heimat begann sie die Techniken sakraler Malerei zu erlernen und gelangte zu Meisterschaft in der Hinterglas- und Ikonenmalerei. 
Die Farbkraft der Bilddarstellungen religiöser oder folkloritischer Motive findet sich in ihrer freien Malerei wieder. 

Vielfach hält sie Bewegungen von Menschen und Tieren fest, bannt Momente auf die Leinwand, und der Betrachter ist fasziniert von der Eleganz der farbigen Linienführungen.

In der Breite ihrer grafischen Arbeiten finden sich Zeichnungen von Gebäuden aus Berlin-Pankow in fast architektonisch exakter Wiedergabe wie auch Radierungen mit Darstellungen, deren festgehaltener Zauber eines Augenblick dem Betrachter das Gefühl von Ruhe und Gelassenheit vermitteln.
(Mit Arbeiten aus der Serie „gezeichnet. Pankow“ von Tatiana Burghenn-Arsénie beim Kulturring in Berlin e.V.)


  Exhibition at Brose Haus


The exhibition at Brose Haus is almost ready, and I look forward to seeing you there!
There many things to talk about, and I hope you can make it. 

Opening:  July 3rd, 2010, 16.00 clock in Brose House (Küster-Palm-House)
(Admission: 15.30 clock, opening of the exhibition: 16.00 clock)

Address: Dietzgenstr. 42, 13156 Berlin. 

Tram M1 (Schiller Street), Bus 107: Stop Kuckhoffstraße

Duration: July 4th  to November 30th,  2010. 

Brose House is always open on Wednesdays and Sundays from 14.00 to 17.00 o' clock or by appointment. 

Here is a summary from the presentation of the exhibition:

A showcase of icons, graphic works and paintings from the Romanian born artist Tatiana Burghenn-Arsénie takes place for the first time in the Pankow district of Berlin. 

Tatiana Burghenn-Arsénie comes from a family of artists in Bucharest. Her artistic talent was encouraged early by her father and first graduated as a doctor of dentistry before moving to Germany and devoting her time entirely to art. 

Deeply connected with the traditions of her homeland, she began to learn the techniques of religious painting, and to acquire in depth knowledge of glass and icon painting.
 
The vibrant colors in her icons and religious folklore motifs are also echoed in the rest of her works.
She often depicts the movement of people and animals and captures the subtle degrees of shifting on the canvas. 
The viewer is fascinated by the elegance of the chromatic palette.
 
In the breadth of her graphic work, there are drawings of buildings from Berlin-Pankow that mediate accurate  rendition of architectural details , as well as lithographs with images. These images gift the viewer with an almost magical feeling of calm and serenity.

 (With  works from the series "gezeichnet. Pankow" by Tatiana Burghenn-Arsénie by Kulturring in Berlin eV) 

The Long Night of the Science at Humboldt University on June 5th, 2010

Some of my friends and I have prepared for weeks for the events and presentations that have taken place at the "Long Night of the Science" at Humboldt University on June 5th - but in the end, it all paid off. 

As part of  "Long Night of the Sciences" several events were held: my presentation on  "How An Icon is Born", two short documentaries by Christian Mungiu, a discussion on sacral art and a  workshop with children organized by Dr. Ioana Scherf.

We were fortunate to have drawn a good audience, and to everyone that came out to see us and took the time to participate in the events, I wanted to say - a heartfelt thank you! - you made our efforts worthwhile.

Here are some pictures...we hope you enjoyed this evening as much as we did.

                          Dr. Ioana Scherf and Dr. Tatiana Burghenn-Arsénie

Upcoming event -The Long Night of The Science at Humboldt University on June 5th, 2010

Dear friends:

You are cordially invited to an upcoming presentation I will be making on June 5th at 17:00 at Humboldt University as part of THE LONG NIGHT OF THE SCIENCE

I hope that you can make it and I look forward to meeting you there!

Here are the flyers to the events:

--> Dr. Tatiana Burghenn-Arsenie - Showcase - Religious Painting from Romania and Presentation: How An Icon Is Born. 

---> RUMÄNISCH – "DIE SCHÖNE UNBEKANNTE“.

and here are the details:

  

Humboldt University Berlin - on Saturday, 5th June 2010 -  17.00

Main Building of the Humboldt University Berlin,
1st Floor, Room 2091
Unter den Linden 6, 10117 Berlin

Showcase - Religious Paintings from Romania
Presentation: How An Icon Is Born

Dr. Tatiana Burghenn - Arsénie

http://artwork-tatiana.blogspot.com/
http://www.langenachtderwissenschaften.de/Routen_Programm_
http://www.hu-berlin.de/pr/veranstaltungen/lndw

Tickets for all Berlin events:

Adults without discount 10, - €, respectively. 12, - €
Discounted Ticket 6, - €, respectively. 8, - €

When combined tickets they are also considered VBB ticket for public transportation in Berlin ABC fare zones, including Potsdam, Potsdam-Golm) for Saturday, 5th June, 14.00 clock until Sunday, 6 June 2010, 4.00 clock.

Im Rahmen der
LANGE NACHT
DER WISSENSCHAFT

in der Humboldt - Universität zu Berlin
Am Samstag, dem 5. Juni 2010
Hauptgebäude der Humboldt -
Universität zu Berlin,
1 OG, Raum 2091
Unter den Linden 6,
10117 Berlin
Ab 17.00 UHR 

Werkschau: Sakrale Malerei aus Rumänien
Präsentation: WIE EINE IKONE ENTSTEHT

Dr. Tatiana Burghenn – Arsénie
http://artwork-tatiana.blogspot.com/
http://www.langenachtderwissenschaften.de/Routen_Programm_
http://www.hu-berlin.de/pr/veranstaltungen/lndw

Eintrittspreise für alle Berliner Veranstaltungen
Erwachsene ohne Ermäßigung 10,-€ resp. 12,-€
Ermäßigtes Ticket 6,-€ resp. 8,-€
 Als Kombitickets gelten sie außerdem als VBB-Fahrausweis für die
öffentlichen Verkehrsmittel im Tarifbereich Berlin ABC einschließlich
Potsdam und Potsdam-Golm) von Samstag, 5. Juni, 14.00 Uhr, bis
Sonntag, 6. Juni 2010, 4.00 Uhr.

Preparing For The Exhibition at Brose House - Berlin - July 4th, 2010 - November 30th, 2010

I've been working round the clock lately in order to prepare for some of my projects.

Among them - an exhibition at Brose House in Berlin - an exciting event!

I will be writing about this event in detail in the upcoming weeks - for now I just wanted to make you aware of it.

So, here are the details:

Opening:  July 3rd, 2010, 16.00 clock in Brose House (Küster-Palm-House)
(Admission: 15.30 clock, opening of the exhibition: 16.00 clock)

Address: Dietzgenstr. 42, 13156 Berlin. 
Tram M1 (Schiller Street), Bus 107: Stop Kuckhoffstraße

Duration: July 4th  to November 30th,  2010. 

Brose House is always open on Wednesdays and Sundays from 14.00 to 17.00 o' clock or by appointment. 

I really hope that you can make it, so we can meet and greet and chat about it in person! 

A Ballerina

I  have been immersed in drawing lately. Somehow, this newly gained focus on drawing and moving away from icon painting for a week  feels like a sea change.

A wave movement - similar to dancing. Ballet.

Movement and energy, of which I can never get enough, as I try to zoom in and out of its rippling effects. 

An Icon for Easter and Light

I created the icon below, "Our Lady In Sorrow" a while back. 

Through sorrows, the light of Easter shines. 

The End of Winter

The End of Winter- a drawing.

On Till Eulenspiegel and Painting On Glass

I became acquainted with stories of Till Eulenspiegel, somewhere at the boundary between childhood and adolescence.
Till’s picaresque stories, the never ending surprises in his destiny and his travels far and wide, held my imagination captive.

It seemed only natural that I would return to these musings later on in life to give Till Eulenspiegel a place in a painting on glass.

The Till Eulenspigel in my painting strikes a pose that harkens back to the masters of the Italian Renaissance, a time when the actual Till, the sea and land farer, likely lived.

As I painted Till, I went back to my months of studying Pierro della Francesca and Simone Martini, and to everything they had taught me, so I can get at the spirit of the  ‘land farer’.

There is something special about painting on glass. 
It allows one to capture, in a translucent setting, movement and light.

Especially movement - which Till Eulenspiegel was all about.

Two picto-poems at the Berkeley Castle Gallery in Toronto - February 11th to February 22nd, 2010

Two picto-poems ("Englyn" and "Hiatus"), in the form of two posters (30" x 20" each) are on display at the Berkeley Castle Gallery in Toronto from February 11th to February 22nd, 2010. The posters combine a drawing and a painting by me with poetry by Irina.

The exhibition, a community event, was organized by Dianne Acey and curated by Karen McMillan.

You can read about this event in English here: 

Love and The Berkeley Castle Gallery in Toronto - February 11th to February 22nd, 2010

and in Romanian here: Despre dragoste, Berkeley Castle Gallery si picto-poeme.

Palm Sunday - An Icon

Palm Sunday is a new theme for me, a theme I developed in one of the icons I painted on glass.
 
 On Palm Sunday, which is celebrated on the Sunday before Easter, Jesus entered Jerusalem and he was greeted with joy by the people of Jerusalem who were waiving palm tree branches and covered the ground he was to tread on with their clothes.
 
In Romania, Palm Sunday is called “Duminica Floriilor” and many take willow leaves (reminiscent of palm leaves) to church to be blessed.

Painting icons on glass or wood allows me to create an object of art with profound religious meaning and provides me with the opportunity to explore the play of colors, symbols and techniques at the same time.

This is why I enjoy painting them.

Nürnberg im Mittelalter - Nuremberg in the Middle Ages

Nürnberg is one of the prominent cultural centers of the German-speaking world since the late Middle Ages. 

The works of the Nürnberg craftsmen were of a unique variety, of excellent quality and were spread by well organized trade throughout Europe.
They are housed in many museums world-wide and to this date, art objects created at Nürnberg during the Middle Ages are a source of inspiration for art-lovers everywhere.
 
The town of Nürnberg was surrounded by a high wall, a ring made of stones, which was the town wall. 
The town wall protected the city from its enemies, and the town gate was guarded.
The marketplace formed the centre of the town.  
All around the marketplace, businessmen and craftsmen had their retail shops. 
The church was situated in close proximity of the marketplace.
 
My inspiration for this painting was:
The oldest view of the city of Nurenberg towards the end of the Middle Ages (1493)
(Spring: "World chronicle" by Hardman Schedel).
 
The idea of the painting came to me after I had created a series of Romanian icons on glass and learned that painting on glass as a technology had its origin in Southern Germany.
 
The logical consequence for me was to take up this motive (Nürnberg) and to bring it on glass.
 
There was a link, I thought, between the miniature and the painting on glass, between the technique that I had learned in my old home country, Romania, and the technique that had flourished in my new country, Germany, so I painted  “Nürnberg im Mittelalter (Nuremberg in the Middle Ages)“ .
 
The circle was thus complete.